A flock of swans flew down to a beach where a solitary crow was hopping around. The crow watched them with disdain.
“How gracelessly you fly!” he said to the swans. “All you know is how to flap your wings. Can you glide? Can you somersault in the air? No, that’s beyond you. Let’s have a flying competition. I’ll show you what flying really is!”
One of the swans, a young, sturdy male, took up the challenge, whereupon the crow flew up and began to display his flying prowess. He flew in circles, swooped down like an arrow, and performed a variety of acrobatics in the air. Then he flew down, cawing triumphantly.
Now it was the swan’s turn. He launched himself into the air and began flying over the sea. The crow flew after him, making all sorts of derisive comments about his manner of flying. On and on they flew till finally the land was lost to sight. Water stretched endlessly on all sides. The crow’s comments became less and less frequent and finally, stopped altogether. He had begun to tire. Eventually he became so tired that he found it hard to stay in the air. He had to struggle to keep from falling into the water.
The swan, pretending to be unaware of his plight, said, “Why do you keep touching the water, brother? Is that another flying manoeuvre?” “No,” squawked the crow, the fight completely gone out of him. “I’m in trouble… a curse on my boasting! If you do not come to my aid, I’ll drown…”
The swan had pity on him and taking him on his shoulders flew back to the shore. adapted from Dimdima.com
So there you have a fable that tells a great story about our players in this life’s journey. Sometimes it is better to eat a humble crow pie than to boast about what you may not know!
QUOTE: ” I became a hermit to free myself from the dust and the dirt of the world, looking for perfection. But I realized that it was impossible without loving the garbage and the dust of the world, even life’s passions.” …Kibong
THINGS YOU MAY NOT KNOW:The folk tale is the expression of that fanciful heritage spontaneously created in any kind of culture, for the man’s innate needs. At first it was handed down by word of mouth, then it was collected by enthusiasts and scholars, and in the end, it was revised by the individual inspiration of story-tellers and fabulists, who added some elements of personal invention. The exigency of fancy often joins the reality of the environment where the fable was born: so, together with certain natural elements common to the folk creative power (contrast between the good and the bad, the sly and the fool, the tyrant and the victim; a happy ending at the conclusion of a succession of more or less intricate adventures), it is not difficult to find in the types, in the names used, in the outlined customs, the characteristics which mark its country of origin.
The fable (in the Greek language “muzos”, which you can also literally translate with “myth”) has its own evolution in the time, according to the development of the people expressing it. Some famous collections belong to the oriental traditions, which, in that way, handed down warnings rich in ancient wisdom or adventures rich in extraordinary fact, tricks and unexpected events. Other collections, the Greek and Roman ones, show religious elements (the origin of the world or cosmology, the stories of gods, heroes and men), where we can search for the fanciful transfiguration of the struggles of man against nature, of his advance towards his redemption from ignorance and from atavic terrors: these are exactly called “myths”.
With the advance of society it is asserted the need of a different kind of fable, more critical towards man and society itself: so it was born the Aesopic fable which, employing the animals as main characters, intends to represent, by them, well-defined human types: the bully, the insatiable, the sly, the fool, the vain, the arrogant, etc.
This genre of fables is the one which has had the best luck and has produced the greatest number of imitators; in fact, although the progress changes the aspect and organization of society and man’s habit, the human instincts and vices are timeless and, luckily, the exigency of condemning their deceits, passions and faults is kept alive at the same rate.
Aesop’s fable was taken to Rome by Phaedrus who renewed its language and spirit; it revived in the Middle Age in France, when, during the XI century the Aesopic matter was collected by some French authors who worked together to compile the “Roman de Renart” (Romance of the Fox), which tells the fox and wolf’s adventures. In it, with eloquent and acute vein, are told the adventures of the sly fox, which always succeeds, with unpredictable and funny tricks, in making fun of Ysenguin, the wolf. Repost from Dimdima.com
THINGS YOU MAY WANT TO SAVE: Stories and Fables! They reflect society and become a good teaching tool!
ZENTRAVLER SAYS:Use fables and stories to teach important moralistic values!
From here to Infinity is a relatively short ride! The next leg takes eons and eons as you fly through the Barycentric Dynamical Time Zone! …and on and on and on.
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